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[experimental, noise, ambient] Thomas Dimuzio - 1997 - Louden (FLAC)

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Torrent File Content (12 files)

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Music : Other : Lossless
      

Odd
Size Records CD OS 20.

1	Part One: Self-Proclaimed Contention (Without Variation)	8:55
2	Part Two:
Of Vast And Barren, Rotting Wastelands	8:08
3	Random Variable	6:22
4	Displacement Manifesto	4:23
5	Denial
Of Acquittal	7:24
6	Baby-Push	4:23
7	Chronology: Linear Phase	14:25
8	A.S.S.W.A.R.L.T.	15:29

Tracks 1, 2, 4, 5 from "Delineation Of Perspective" cassette (1987).
Tracks 3, 6, 7 from
"Flux" cassette (1988).
Track 8 from "19th Monkey Schism" cassette (1989).

Remastered at Gench Studios.

San Francisco-based Thomas Dimuzio is one of those unsung artistic figures
whose influence and abilities have substantially outstripped his visibility. Composer, collaborator, experimental
electronic musician, multi-instrumentalist, improvisor, sound designer and mastering engineer - Dimuzio has been busy
doing his thing(s) since the late 1980's, but is still only known to a small circle of electronic music enthusiasts. A
true sonic alchemist who can seemingly create music events out of almost anything, Dimuzio's listed sound sources on his
various releases include everything from "modified 10 speed bicycle" and "resonating water pipe" to
short-wave radios, field recordings, loops, samplers and even normal instruments such as clarinet and trumpet. And while
his wide range of musical interests make it impossible to pin a label on him, Dimuzio clearly has an insider's knowledge
of older experimental musical forms such as musique concrete and electroacoustic, as well as more current dark ambient,
noise and post-techno styles.
Dimuzio’s pioneering and innovative use of live sampling, synthesis, signal
processing, custom crossfade looping and algorithmic mixing fuels a synergy of man and machine in his live performances.
Intercepted signal feeds from his collaborators, as well as wild sources of MIDI-controlled feedback, modular
synthesizers, circuit-bent toys, ambient microphones on the streets, et al become integrated as sound sources within
Dimuzio’s system of live interactive electronics. His music has been released internationally on labels including
RéR Megacorp, RRRecords, Asphodel, No Fun Productions, Seeland, Isounderscore, Gench, Record Label Records, Odd Size
Records, Sonoris and Melon Expander. Dimuzio’s studio-based releases include his critically acclaimed (All Music
Guide Pick) debut LP HEADLOCK, his double CD masterwork Sonicism, potent early cassette works detailed on Louden, and
Slew, his compilation of compilation tracks spanning 14 years. His live releases Mono::Poly, Markoff Process, and Gench
Concert Archives document a large number of his solo concerts.
As a collaborator, Dimuzio works with numerous
artists and ensembles such as Dimmer (with Joseph Hammer), Chris Cutler, Fred Frith, Dan Burke/Illusion of Safety, Nick
Didkovsky, ISIS, Negativland, David Lee Myers, Matmos, Wobbly, Poptastic, Due Process, 5uu's, Tom Cora, Mickey Hart, and
Paul Haslinger. Among his numerous live collaborative releases are Golden State with Chris Cutler and Fred Frith, Quake
and Dust with Chris Cutler, Hz and Upcoming Events with Dan Burke, Ice Cream Time with Nick Didkovsky and Arte Saxophone
Quartett, and the double LP Remissions from Dimmer. Collaborative studio-based works include The Unveiling of Darkness
with Voice of Eye, Ascent and The Shining Path from Dimmer, Uncertain Symmetry with David Lee Myers, Thigmotactic with
Negativland, Poptastic: The Teen-Pop-Noise Virus with Chris Fitzpatrick, Combine I - XVIII and Combine XXIII - XXXV with
Due Process, Hunger’s Teeth and Crisis In Clay with 5uu’s, and Dimuzio’s epic remix of ‘Holy
Tears’ featured on Temporal and Not In Rivers But In Drops from ISIS.
Dimuzio has toured North America and
Europe featuring performances at New Music Actuelle, Festival International de Music Actuelle de Victoriaville,
Ultraschall, Knitting Factory, Tonic, Roulette, The Great American Music Hall, Issue Project Room, The Walker Center for
the Arts, Philadelphia Museum of Art, NorCal NoiseFest, Spring Reverb Festival, Podewil, Kyma International Sound
Symposium, High Zero Festival, Ende Tymes Festival of Liberation and Noise, The Garden of Memory, Outsound New Music
Summit, Schindler House, Yerba Buena Center for the Arts, Eventworks, Obscure, The Western Front, Big Sur Experimental
Music Festival, Activating the Medium, Mellon Institute, MIT Center for Advanced Visual Studies, Exploratorium, and
Whitney Museum of American Art.
As a mastering engineer, Dimuzio has worked with independent artists and labels
through his own Gench Studios since the early 1990’s. Among his numerous clients are Matmos, Negativland, ISIS,
AMM, Captain Ahab, Doctor Nerve, Psychic TV3, Xiu Xiu, Devin Hoff, GG Allin, KK Null, Joey P, Fred Frith, Scott
Amendola, and many others. In his work as a sound designer, Dimuzio has worked with a number of synthesizer and
processor manufacturers such as Kurzweil, Lexicon, and OSC to create custom presets and sample libraries, and he has
collaborated with Fred Frith and Tom Cora, and the Rova Saxophone Quartet to create sound libraries for Rarefaction and
Big Fish Audio. Dimuzio also continues to play a key role in the development of Avid’s industry standard Pro
Tools HD recording and mixing system, as he has for the past 20 years.
Recent projects include participation in The
$100 Guitar Project (Bridge Records, 2013) which finds Dimuzio among guitar luminaries Mike Keneally, Nels Cline, Fred
Frith, Henry Kaiser, Keith Rowe and many others. The future also holds many new and exciting projects including the
release of a guitar-intensive double LP for Drone Records Substantia Innominata series. A recent spate of east coast
concerts found Dimuzio performing Ice Cream Time with Nick Didkovsky and the Prism Saxophone Quartet. Also look for new
recordings with Dan Burke of Illusion of Safety, as well as a studio collaboration from afar with Anla Courtis. Remixes
and new tracks are also in the works for Sikhara, and Kreamy ‘Lectric Santa, and Zephabet, among others. -
gench.com

Louden remasters original cassette releases from 1987 and 88 (Delineation of Perspective and Flux)
exploring noise processes not just as sublime tumult (although "Of Vast and Barren, Rotting Wastelands" has an
undeniable magnitude) but through a more abstract analysis of process and technique. "Self-Proclaimed Contention
(Without Variation)", using bass, microphone, processors and mixer, is a series of dynamic build-ups segued over
each other: an endless take-off that conveys the velvet thunder of intergalactic spacecraft rather than Industrial
screaming metal. Dimuzio's equipment includes samplers, analogue synths, E-bow, and tape recorder - the mixture of
technical systems generating an intelligent vocabulary of power, impulse, velocity and rhythm. A nice foray into the
experiential complexities of modernism. - The Wire                                                            Show Demonoid some love
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